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Music --- Postcolonialism --- Musique --- Postcolonialisme --- History and criticism --- Histoire et critique --- History and criticism.
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Songs --- Musical analysis --- Chansons --- Analyse musicale --- History and criticism --- Histoire et critique --- Schubert, Franz, --- Schubert, Franz --- Criticism and interpretation --- 19th century --- History and criticism.
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Film --- Musicians --- Composers --- Motion picture music --- History and criticism.
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Bolenz, Ulrike, --- Bolenz, Ulrike --- Catalogues raisonnés --- Criticism and interpretation
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muziekgeschiedenis --- Music --- Finland --- Composers --- Compositeurs --- Musique --- History and criticism. --- Histoire et critique. --- History and criticism --- Muziekgeschiedenis --- Histoire et critique
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Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
Music --- Musique --- Debussy, Claude, --- Criticism and interpretation. --- Debussy, Claude --- -Criticism and interpretation --- Debi︠u︡si, Klod, --- Debi︠u︡ssi, K. --- Debi︠u︡ssi, Klod, --- Debussy, Achille Claude, --- Debussy, C. --- Debuxi, --- Tu-pu-hsi, --- Criticism and interpretation --- Debussy, Claude, - 1862-1918. - Criticism and interpretation. --- 78.21.1 Debussy --- Debussy, Claude, - 1862-1918. --- Debussy, Claude, - 1862-1918 - Criticism and interpretation. --- Debussy, Claude, - 1862-1918
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Claudio Monteverdi's historical position in music has been compared to that of Shakespeare in literature: almost exact contemporaries, each worked from traditional beginnings to transform nearly every genre he attempted. In this book, Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development, during the first years of the seventeenth century, of a new compositional style he called the 'seconda prattica' or "second manner." Challenged in print for the unconventional aspects of his music, Monteverdi found himself at the center of a debate between defenders of Renaissance principles and the newest musical currents of the time. The principles of the 'seconda prattica', Ossi argues in this sophisticated analysis of Monteverdi's writings, music, and approaches to text-setting, were in fact much more significant to the course of Monteverdi's career than previously thought by modern scholars-not only did Monteverdi continue to pursue their aesthetic and theoretical implications for the rest of his life, but they also affected his dramatic compositions as well as his chamber vocal music and sacred works. Ossi "divines the oracle" of Monteverdi's ambiguous theoretical concepts in a clear way and in terms of pure music his book will enhance our understanding of Monteverdi as one of the most significant figures in western music history.
Music theory --- History --- Monteverdi, Claudio, --- Criticism and interpretation --- Criticism and interpretation. --- Music --- Theory --- Monteverdi, Claudio --- 17th century --- Music theory - History - 17th century --- Monteverdi, Claudio, - 1567-1643 - Criticism and interpretation --- Monteverdi, Claudio, - 1567-1643
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raga --- Dhrupad --- Hindustani music --- Raga. --- Musique hindoustani --- R¯aga --- Raga --- History and criticism. --- History and criticism --- Histoire et critique
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